Time goes from Present to Past and Present to Future

This is one of my favorite excerpts from Zen Mind: The Beginner’s Mind by Shunryu Suzuki:

Dogen Zen-ji said, “Time goes from present to past.” This is absurd, but in our practice sometimes it is true. Instead of time progressing from past to present, it goes backwards from present to past. Yoshitsune was a famous warrior who lived in midieval Japan. Because of the situation of the country at the time, he was sent to the northern provinces, where he was killed. Before he left he bade farewell to his wife, and soon after she wrote in a poem, “Just as you unreel the thread from a spool, I want the past to become present.” When she said this, actually she made past time present. In her mind the past became alive and was the present. So as Dogen said, “Time goes from present to past.” This is not true in our logical mind, but it is in the actual experience of making past time present. There we have poetry, and there we have human life.

When we experience this kind of truth it means we have found the true meaning of time. Time constantly goes from past to present and from present to future. This is true, but it is also true that time goes from future to present and from present to past. A Zen master once said, “To go Eastward one mile is to go Westward one mile.” This is vital freedom. We should acquire this kind of perfect freedom.

But perfect freedom is not found without some rules. People, especially young people, think that freedom is to do just what they want, that in Zen there is no need for rules. But it is absolutely necessary for us to have some rules. But this does not mean always to be under control. As long as you have rules, you have a chance for freedom. To try to obtain freedom without being aware of the rules means nothing. It is to acquire this perfect freedom that we practice zazen.

Alan Watts: God Complex

I would like to share with you a mind bending discussion from Taoist adept Alan Watts. In this, Watts discusses topics related to humanity’s perspective on god, truth, heresy and the divinity of the human being. This is sure to elevate your level of thought, feeling and awareness to new levels if you’ll allow it.

‎”Life itself is a disease with a very poor prognosis, it lingers on for years and invariably ends with death!”

–Carl Jung

Podcast #2: Brief Tutorial on Mantra Meditation

Here is a brief podcast on mantra meditation.  This is something you can do if you need to center yourself.  It works if you are experiencing depression, hypertension, pain and discomfort, or any number if maladies.

Your mind can gets into negative habits and these habits enthrall the mind in a ritual of degeneration.  Mantras are a way of re-setting your mind/body/spirit complex, so you can be more in the present moment.

It’s all Bollocks

David Icke | Infinite Love is the Only Truth: Everything Else is Illusion

The play was a great success, but the audience was a disaster
-Oscar Wilde

The most effective way to disconnect from the manipulations of the Matrix is to laugh in its face. Once we take it seriously we become attached to the game through mind, emotion and fear. The Matrix only exists because we believe its illusions are real, but we don’t have to.

The mind-game has such a grip on reality that people get angry, obsessive or outraged about the most irrelevant bollocks and this myopia cements their arses to the web. In fact, it’s all bollocks. There is nothing, except Infinite Love, that isn’t bollocks. But oh, my – how we get caught. For example, I made the point in I am me, I am free, about the word fuck. Oh my God, did he really say that? ‘Ethel, he’s just said that rude word, it’s outrageous.’ I love it how newspapers, moral guardians that they are, always write the word as f***. What the fuck is that all about? When vou see f*** what goes through your mind? Fuck, exactlyfuck, but not to say it. What bollocks!

Nothing encapsulates how deeply the Matrix has control of the human psyche than our attitudes to the word fuck. It may not be the most beautiful of sounds, but if you hit your thumb with a hammer I challenge you to find a better one to sum up your feelings. Like all words it can be said with venom, matter-of-factly, or in humour and it is the energy and intent behind a word that has the effect, not the word itself. Fuck is just a sound that can produce a disruptive or harmonious resonance depending on the intent. So what’s the big deal about this word when the same is true of all the others? Once again it’s programming. We are told from childhood that the word is taboo and this imprint dictates the lifetime reaction in most people when they hear the dreaded four letters. To say sexual intercourse is fine, though not encouraged because even that’s embarrassing to many, but its one syllable stablemate is definitely persona non grata. Yet imagine if fuck meant something else, say sandwich.

Two pieces of bread with something in the middle is believed to be named after the fourth Earl of Sandwich because, it is said, in about 1762 he asked for meat to be served between slices of bread to avoid interrupting a gambling game. He had originally intended to take the title of Earl of Portsmouth and, if he had, we would now be eating portsmouths. It is also quite possible that if the earl had left his gambling game to have sex with a maid the word sandwich might now be slang for sexual intercourse. It would certainly give new meaning to ‘Im going for a sandwich’. How different it would be if the roles were reversed & by some quirk of events a sandwich was called a fuck. It would be fine to ask for a cheese & tomato fuck, heavy on the mayo but moral outrage would ensue if you asked for a sandwiching fuck. I can say buck & that’s OK. I can say duck & that’s OK. But when I say fuck, there are knickers twisting in every direction. It’s so pathetic & if we can get uptight about a single word, what chance have we got of extricating ourselves from the trillions of far more powerful ways the illusion attaches itself to our sense of reality? It’s the same with nudity. They say a perfect god created the human body and then condemn you for showing it. For goodness sake, they are just illusory willies and illusory breasts. If the taboo programming was not there in the first place no one would give a toss about nudity.

People talk about wanting to be free and yet they can’t get past first base by not being outraged by a bare bum or a single word. Deep breath … Fuuuuuuuuuck. There, see, did anyone die? No one’s been hit by a lighting strike or a cruise missile?
It’s just a fucking word and we are Infinite Consciousness – All Possibility. Jeeeez. I saw a notice outside the studios at a Los Angeles radio station listing all the words a government agency decreed could not be used on air. It said the fine for doing so was $500,000. One of these words was … shit. You can say excrement and pay nothing, but use the word shit for the same substance and you are threatened with a fine of half a million dollars. Give me a shove will you? I’m ready to wake up now. We are so focused on the twigs, like fuck and shit, that we can’t see the trees, let alone the forest. I am not saying everyone should go round swearing if that’s not their choice, but if someone else does, so what?

Sex is another of the moral stickies that keeps people attached to the illusion. I saw an American right-wing Christian say that he was worried about gay marriage and wanted Bush elected to stop it. He was worried about gay marriage? Well, I think I see a way out of this: don’t marry a gay, then. There, simple, what shall we do now? I am tempted to start an Internet advice column and call it noneofyourbloodybusiness.com. What right has anyone to decide if a gay marries a gay? It’s their business and what the hell are we doing moralising about relationships never mind legislating for them? Whether you are gay or what they call ‘straight’ it is only a software program transmitted from and through the DNA/RNA. Infinite Consciousness is All Possibility, the balance of everything, and it doesn’t have our version of ‘sex’ in its non-Matrix form. The super-hologram is where ‘physical’ sex takes place and gay or straight it doesn’t matter. They are both expressions of duality, as is all that male-female stuff. It only happens in the realms of illusion and division. From the perspective we are discussing here, the sexual act, whether between ‘straights’ or ‘gays’, involves inserting a holographic illusion into a holographic illusion and our central processing unit telling us if we are enjoying it or not.
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Alan Watts: A Conversation With Myself (1971)

Alan Watts is one of the most fascinating minds of the 20th century. I still recall discovering his books, for the first time, several years ago; starting with This is It and later The B∞k: On the Taboo Against Knowing Who You Are. Of all of the books I have read over the years, these two have some of the most profound influences on my relationship with reality.

His work is very powerful. Once you connect with it, it infuses with your very being and becomes a new facet of your awareness.

Alan has several foundational concepts, which he utilizes in his work. There is this idea that, what we think of as “our self” is not really who we are; but is instead an ego, or an entity that attaches to the self and tricks itself into thinking that it is the self. This ego gives itself the idea that everything in life fits into neat little boxes, simplified concepts, that causes us to act more rigidly; thus constraining our behavior and limiting our possibilities.

One of the biggest casualties of the ego, is not being able to fully exist in the moment. That is the theme of This is It; the notion that what is most important is being here, right now; in this body that is holding you. Yet the general tenancy is to escape the now for something that is to happen sometime in the future.

Opening up the mind to these new concepts of reality is one of the most edifying experiences. It really helps you to re-think this idea we call truth. It opens up a world of infinite inter-connectedness and inter-dependence.

A 1971 television recording with Alan Watts walking in the mountains and talking about the limitations of technology and the problem of trying to keep track of an infinite universe with a single tracked mind. Video posted by Alan’s son and courtesy of alanwatts.com.

see the playlist here

Secrets of Alchemy: The Great Cross and the End of Time

Alchemy is an exceptionally ancient art whose teachings stretch back for many thousands of years. Most practitioners of Alchemy carefully pass on their knowledge to the next generation; with only the most exceptional and intuitive students receiving the true teaching. The teachings themselves are often formed into puzzles, of sorts, which force the student to learn how to think, if they want to truly absorb the knowledge.

In today’s world most thinkers consider themselves to be Scientists. This is often an erroneous categorization, however, since many of the so-called scientists are not genuinely interested in uncovering the empirical reality; instead they tend to be more interested in making facts fit to accepted models.

The primary differences between the Scientists and Alchemists lie in their field of awareness. Scientists tend to be aware of very small, specialized portions of phenomena; they often do see any importance in incorporating the whole into their understanding. Because of this, they tend to have very limited understanding.

While Alchemists share the same curiosity for understanding phenomena, they prefer to incorporate a broader understanding of the whole, instead of simply focusing on the matter-centered reductionist paradigm of the scientists.

The following documentary delves deeply into the work of Fulcanelli, the author of Mystery of the Cathedrals. The author of this documentary delves deeply into the Fulcanelli’s work and attempts to shed light on the mystery of the Cross of Hendaye.

The mystery of this cross is surprisingly complex and intricate, as is common in the tradition of Alchemy. To most observers, the cross simply bears a simple error; but to the astute student of the occult, it becomes apparent that an intriguing puzzle is presented in this artifact.

Fulcanelli: The Mystery, the Secret and The Man

Vincent Bridges | Wednesday, December 1st, 1999

In his masterwork, The Mystery of the Cathedrals, the anonymous author Fulcanelli poses a riddle: How does a Tree become a Stone, which then becomes a Star?

Of course, being Fulcanelli, he shies away from such blunt simplicity. It was far too much too say openly that the secret of alchemy, and of science in its broadest sense, consisted of a Tree forming a Stone and igniting into a Star. Never mind solving the riddle of how it’s done.

And yet, the careful reader will discern this very enigma at the core of Fulcanelli’s book. Why?

Because the truth is simple. The secret of alchemy is contained in the riddle of how a tree — the Tree of Life, the World Pillar, the Djed — transforms into the Precious Stone of the Wise. And then, the core of the mystery, how that Stone becomes a star, an imperishable light body or perhaps even the body of a star in Orion. However, even though the truth is simple, the secret has a way of protecting itself.

Take Le Mysterie for example. Much has been written about just who “Fulcanelli” might have been, but very little, outside of Canseliet, has been written about what Fulcanelli said. Eugene Canseliet, Fulcanelli’s pupil, took the approach in his works of expanding on Fulcanelli’s alchemical metaphors without venturing a concrete explanation of the process itself. By his own admission, he never succeeded in what he imagined the ultimate goal to be, the transmutation of lead into gold. Therefore, we might be justified to suspect Canseliet’s level of understanding.

But what did Fulcanelli say? Does he actually reveal the secret of alchemy’s riddle?

Understanding Fulcanelli’s masterpiece requires preparation, guidance and more than a little patience. Le Mystere is not literature in the normal sense. It’s an initiation document designed to instruct the reader in a new way of thinking in and about symbols. Fulcanelli is always honest. He never cheats the reader or hides behind his vows of secrecy, but he does insist that the reader do the work. Otherwise the revelation is worthless. Therefore, the initiation takes the form of a puzzle, or a riddle.

For preparation, one could do no better than to read carefully all of Book III and Chapter Two of Book V of Victor Hugo’s Hunchback of Notre-Dame. Fulcanelli assumes that any intelligent reader would be aware of this perspective and would basically agree with it. Fulcanelli, in Le Mystere, is trying to provide specific examples of Hugo’s metaphors in stone. A good guide book to Notre-Dame is also valuable, as is a general history of the Gothic period and its cathedrals.

The best preparation however is to forget everything you have ever read or heard about alchemy. Let Fulcanelli explain it to you as if you had never heard the word before. In practical terms, it means skipping Canseliet’s prefaces and Walter Lang’s introduction. Or, at least, save them until last.

When we do this, we start where Fulcanelli started, with an experience, a gnosis, of the transcendent power of a Gothic Cathedral. He tells us that his first sight of a cathedral, at the age of seven, sent him into “an ecstasy, struck with wonder.” Today, the only way to recapture a little of “the magic of such splendor, such immensity, such intoxication expressed by this more divine than human work,” is to stand some quiet summer evening just in front of the railing at the Great Porch of Notre-Dame de Paris and slowly let your vision crawl heavenward over the complex universe of symbolic forms. Bathed in the golden light of sunset, thousands of forms and concepts and images struggle toward some unity of purpose that our modern mind finds all but incomprehensible. But to the child, or the child-like, it has the power of revelation.

book in stoneFulcanelli informs us that the images on the cathedrals speak more clearly than words and books. They are “simple in expression, naive and picturesque in interpretation; a sense purged of subtleties, of allusions ,of literary ambiguities.” The Gothic, he suggests, is like Gregorian chants, many voices coming together in a single note. This is important guidance for understanding the book as a whole. Fulcanelli combines images or voices all juxtaposed on a single note or theme in such a way that every voice is related to the theme as a whole. As in music, the structure that allows this inter-relatedness is based on geometry and mathematics. It is nothing less than the hermetic Grand Theme, the Music of the Spheres, which is depicted within the Gothic cathedrals.

The Grand Theme is introduced by the arrangement and subjects of the nine chapters in part one, called “Le Mystere des Cathedrals.” From its title we can supposed that it was meant to impart an overall viewpoint from which the rest of the book, the details of the pattern, can be understood. Grouping the themes of the nine chapters as presented defines an interesting symbol: the sword in the stone. The first three chapters compose the grip of the subject and the sword, whose basic theme, the hermetic wisdom of the Gothic cathedrals, continues through a stone of five inter-related symbols within the cathedrals, and on into the foundation “stone” of Notre-Dame de Paris. This device also presents the lightning flash order of creation taught by magickal cabalists such as the Hermetic Order of the Golden Dawn.

The next three sections fill in this revealed Tree. “Paris,” the second part of Le Mystere, completes the Tree of Life foreshadowed in the first section. This second section, reflecting the archetypal world of the cabalists, gives us the most complete rendition of the Grand Theme of ten spheres and twenty-two paths, including the gnostic Path of Return. “Amiens,” section three, fills in a portion of the developed Tree by giving the reader a deeper understanding of the planetary processes. The fourth section, “Bourges,” juxtaposes a series of mythological images on the planetary spheres, creating a fourth Tree. Therefore each of the “locations” or spheres have multiple images from which a meaning can be derived.

The added chapter from the second edition of Le Mystere, “The Cyclic Cross of Hendaye,” completes this pattern by crossing the abyss from Daat, gnosis, to Kether, the divine Crown. The key of course is that in the world of action, the fourth world or level of abstraction to the medieval cabalist, the Tree is formed in space. The Hendaye chapter completes this view by revealing the secret of an ancient astro-alchemical science based on the alignment of local events with the galactic axis.

In our book, “A Monument to the End of Time: alchemy, fulcanelli and the great cross, we examine in detail Fulcanelli’s use of this hermetic Tree of Life pattern. This introduction however is for the first time reader, or the reader who wishes to read Fulcanelli as if it were the first time. For that person, we can only admonish them to pay close attention to the images discussed and the illustrations. Fulcanelli is carefully building an inherent or implicate order by his use of patterns of images. Even the transpositions and other “mistakes” or departures from the established order are designed to impart some significance.

So who was Fulcanelli?

One of the benefits of reading Mystery of the Cathedrals without preconceptions is that the personality of Fulcanelli jumps off the page. This is the strongest evidence against the committee theory. It is hard to imagine how a committee could have arrived at such a clear sense of personality, and who among the group had the literary skills to pull it off? Canseliet? If that is the case, then literature lost one of its finest novelists when Eugene Canseliet turned to alchemy.

As we wind our way through Mystery of the Cathedrals, Fulcanelli becomes a trusted guide, always directing our attention to the key points, but always letting us make our own conclusions. As he does so, we find that a few hints and suggestions leak through concerning Fulcanelli himself. By the second or third careful reading, a profile emerges.

Fulcanelli was born in Picardy, a day’s ride or a little more from Amiens, whose cathedral he first glimpsed with such lasting effect as a seven year-old. His family was formally noble, or even royal, but had come down somewhat by his birth. At an early age, he moved to Paris, becoming a student in the Latin Quarter. His field of study seems to have been classical literature, with a side interest in medieval history. So much is clear. What’s hazy is which century it happened in.

Most commentators have assumed it was the 19th, since Fulcanelli was apparently about 80 in 1930, which makes him born around 1850. However, the personality that confronts one on the page is decidedly 18th century. There are even clues that Fulcanelli was in Paris before 1748, making him around 200 years old in 1930. However, a close reading of the first chapter of the first section reveals that Fulcanelli could have been present in the early 15th century. How old was he?

From Mystery of the Cathedrals we can discern a vague profile. He studied in Paris between 1740 and 1760, and joined some magickal lodge or society in the decades before the fall of the Ancien Regime in 1789. He seems to have spent the 19th century traveling across France collecting evidence of the existence of his order and its predecessors. After the Great War, he decided to publish an initiatory document, The Mystery of the Cathedrals, an examination of the order’s symbolism, Dwellings of the Philosophers, and a revelation, The Final Glory of the World, of which all that remains may be the Hendaye chapter.

Of course, this profile raises more questions than it answers. But we are left with the feeling that Fulcanelli was a real person, with a message to deliver.

Perhaps the only way to truly understand Fulcanelli and his masterpiece is to take your now well-thumbed copy of Mystery of the Cathedrals and go to France. The major locations can all be visited in a week or more, and a month or so of vagabondage will allow you to cover everything mentioned in Mystery. It is well worth the experience.

Two examples should give the reader the flavor. Nothing in the literature of either alchemy or eschatology describes so eloquently their inter-relationship as does the Great Porch of the Last Judgment at Notre-Dame de Paris. We come looking for Fulcanelli’s Path of Return images and find them on the supports for the pillars of the Last Judgment. The quintessential image of Alchemy occupies the base of the central pillar which leads to Christ in Judgment. This says so much more clearly than any words can that the End of the World has for its foundation the science of Alchemy.

templar churchAnother example is Fulcanelli’s use of clever side comments. Twice, in significant places, he mentions a church at Luz in the Pyrennes. In his only use of the word Templar in the entire book, Fulcanelli labels the church as Templar in his second mention. This should grab our attention. And if it does, and we make the long trek to the High Pyrennes, we will find that someone knew the key to the mystery right down to the 19th century. Fulcanelli doesn’t tell you it’s there, he merely assumes that you will find it if you look.

The houses in Bourges are not to be missed, both are open to the public. Tours in English are held in Notre-Dame de Paris on Saturday at 2 PM, and are essential. Everything closes for lunch, except Notre-Dame. Be sure to visit Hendaye on Wednesday mornings when the town square is full of vendors. Go looking for the Saint Marcellus statue on the south side of Notre-Dame de Paris. Demand that the guide in Jacques Coeur’s house show you the pentagonal treasure room. Seek and ye shall find!

How does a Tree become a Stone and then a Star?

Simple. The eternal polar axis of our celestial sphere, whose equator is the sun’s apparent motion against the stars, or the zodiac, forms the middle pillar of a cosmic Tree of Life. This Tree is also found within our bodies, and when we align these Trees and project them outward on the celestial sphere we create a jeweled sphere, The Precious Stone of the Wise, in which forms the Cube of Space. The Tree has become a Stone.

The next step, from Stone to Star, requires the transformation of light. Aligned properly, the Precious Stone can tell us the quality of time and the physics of creation. Internalized, this projected alignment leads to bursts of light, flashes of kundalini. If the process is supported by dark retreat and sudden light immersion, then it is possible that the entire body could be transformed. Something similar seems to have happened in the case of Padmasambhava, the Tantric master who brought Buddhism to Tibet in the 8th century.

But, given the information in the Hendaye chapter, then it is just possible that our species is on the verge of a mass initiation experience triggered by the “new” light from the center of the galaxy. Perhaps Fulcanelli’s “double catastrophe” is both physical and mental. When the Light of the Star shines into our souls, will we be ready for the change?

The Tree of Life unites our universe across vast scales of existence. When we identify with that immensity, we expand as we try to encompass it all. The flash of gnosis is the result, and from that, if we are lucky, comes the science of alchemy.

Fulcanelli has given us excellent guidance on the process. He shows us how the initiation worked in the past, and points toward the mass initiation that may be unavoidable in our future. When Isis, the Great Cosmic Womb of the Galaxy gives birth to the new Horus Light of transformation, let us hope that we have all solved the riddle of becoming a star.

Omnia quia sunt, lumina sunt. “All that is, is Light.”

Take Responsibility for Operating Your Own Brain

Throughout human history, as our species has faced the frightening, terrorizing fact that we do not know who we are, or where we are going in this ocean of chaos, it has been the authorities — the political, the religious, the educational authorities — who attempted to comfort us by giving us order, rules, regulations, informing — forming in our minds — their view of reality. To think for yourself you must question authority and learn how to put yourself in a state of vulnerable open-mindedness, chaotic, confused vulnerability to inform yourself.

— Dr. Leary

Our most important responsibility, as human beings, is to be a designer of our own realities; because, when we design truly unique realities, then we are adding something beautiful and unique to enrich the whole of existence, which in-turn encourages others to do the same in their own unique way.

In today’s world, however, this responsibility has largely been abdicated. Everywhere we turn, someone is trying to sell us a designer reality. Whether it be a media personality, a television show or a form of organized religion; these realities are not at all unique, and they aren’t even designed by the individuals who are trying to sell them.

The mind-set of today’s world best resembles that of a Parrot, which blindly repeats that which it hears most frequently. Of course the Parrot does not understand the true meaning of what it is saying or the implications, but it repeats it nonetheless. This being the case, the Parrot does not have any real control over its expression, so it therefor has little power to change anything.

If we can transform this Parrot mindset into that of the highly intelligent Human Beings, which we all possess the potential to be, then the world will change into a much more novel place very quickly; but first we are going to have to learn to communicate on a deeper level. We need to move beyond mere language and communicate in a more direct way, because so much is lost in translation otherwise.

That doesn’t mean that we have to stop using language, instead we need to change our relationship with language, so we truly understand what we are saying as well as what is being said. We need to learn to practice philosophy in small groups, so we have a rich understanding of our ideas. We also need to study etymology so we understand where the words we use come from, so that we, like the Parrot, are not using words we do not understand.

Its all about learning to operate your brain independently, so you are not co-opted by forces outside of your control, because the highest level of creativity and ingenuity comes from individuals who have chosen to blaze their own trail and reach their own conclusions.

How to Operate Your Brain

This is an experiment in mind formation, in-formation, forming, controlling, operating your mind and your brain, using digital techniques to overload, scramble, confuse, unfocus your mind.

The natural state of the brain is chaos. We’re dealing with a complexity of in-formation. The first thing to do is to overwhelm your focused mind, your linear mind, by overloading signals, digital patterns, clusters of photons and electrons which produce a pleasant state of confused chaos. This is the state of the brain when it is ready to be informed, that is, to be reprogrammed.

The human brain contains one hundred billion neurons, each neuron is as powerful as a large computer, and each neuron has around ten thousand connections with other neurons. Within our foreheads there is a chaos, inside our brains there is a galaxy of information, which is incomprehensible to our linear minds.

This contrasts and compares perfectly with the chaos without. We’re living in a universe, which has one hundred billion galaxies, each galaxy with star systems, planets, a complexity, again, which to our minds right now is chaotic, incomprehensible.

Chaos is beautiful. Now many times we are afraid because we want order. We can’t deal with the confusion and disorder. We want form. We want rules. Yes, throughout human history there have been people?religious leaders, political leaders?who will give you order. They will give you rules and commandments.

But chaos is basically good. Relax. Surf the waves of chaos and learn how to redesign your own realities. Sit back. Flow. Open your eyes. Turn off your minds. Unfocus, and let the waves of chaos roll over your brain. Float. Drift, Zoom. Design. Create new order, your order, your style from chaos.

Yes. Yes. Chaos. Yes, yes, chaos . . .
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Scientific Verification of the Vedic Knowledge

One of the most widely neglected fields of knowledge is that of the Vedas. Although the vedas form the basis for our modern-day understanding of mathematics and geometry, they are not given credit by the academics.

Much can be learned from the Vedas. The video “Scientific Verification of the Vedic Knowledge” is just the beginning.

A vast number of statements and materials presented in the ancient Vedic literatures can be shown to agree with modern scientific findings and they also reveal a highly developed scientific content in these literatures.

The great cultural wealth of this knowledge is highly relevant in the modern world. Techniques used to show this agreement include: Marine Archaeology of underwater sites (such as Dvaraka), Satellite imagery of the Indus-Sarasvata River system, Carbon and Thermoluminiscence Dating of archaeological artifacts, Scientific Verification of Scriptural statements, Linguistic analysis of scripts found on archaeological artifacts, A Study of cultural continuity in all these categories

David Wilcock Discusses 2012 with Tom Murasso and Cheryl Dobbins

David Wilcock is one of the most fascinating and credible paranormal researchers of today.  For the last several years, David has been discussing the transformations, which his research indicates are going to happen leading up to and after the year 2012.

Currently, we are in the midst of a great transition, as is evidenced by the turmoil that we are seeing all around us every day.  David Wilcock believes that this transition will actually be a positive transition, contrary to what many alternative researchers believe.

If what David says is true, we are about to embark upon a great journey, which will change every aspect of our lives, including the way we go about our day to day lives, as well as speeding up the pace of change, which is basically increasing the speed of time.

Ra: A Being from the Higher Dimensions

Beyond the reality filter that binds us to the material existence and all of its trappings, there lie a magnificent tapestry of beautifully interlaced reality matrices. These differing densities of reality are traversed by all beings, they present us with the challenges and opportunities that the universe needs to create growth towards greater oneness.

In our little corner of existence, many believe that there is a being called Ra, who helps to guide us to the next level of our growth on this planet.

The Universe According to Ra

by Wynn Free

Those who channel the entity known as Ra report that he has been involved in the affairs of our planet for the past 75,000 years. At certain points in our history, Ra claims to have manifested a physical body.. Today, Ra says, he exists on a level of pure vibration. He communicates with the group consciousness through dreams, and with individuals through channeling.

The information in this article, in which Ra describes our evolution and coming planetary ascension, is paraphrased or quoted from channeled writings of a group who refer to themselves as L/L Research (please see Sources of Information on Ra).

The Origin of Ra

Long before the inception of life on this planet, Ray says, there were Third Density life forms on Venus similar to our human forms on Earth..

Through evolution, these life forms ”ascended” beyond the Third Density and ultimately fused together into a unified complex which is the entity we now refer to as Ra. Ra identifies himself as a ”social memory complex.”

According to Ra, there are eight densities that all life must pass through, and in his present form, Ra exists on the Sixth Density.

The Earth, Ra claims, is presently at the end of a 75,000-year cycle where many humans will graduate from the Third Density to the Fourth Density by the process known as ”ascension.” Read the rest of this entry »